Let’s take a step back and look at the year in machinima, by reflecting on the plethora of talented contestants that participated in the UWA MachinimUWA IV: Art of the Artists Challenge. Such participation shows the growth of the machinima community and the maturity of the art form in and of itself.
I would venture to conclude that it was a wonderful year for virtual filmmaking in Second Life. The UWA machinima screening in December is merely one indication of machinima’s acceptance in-world, and of course a growing appreciation of it as an art form, particularly as real-time animation, from those looking inward from the outside media world. 2011 was an excellent month for the art and creative world of Second Life, and machinima is no exception here. Such success can be attributed to the hard work behind the scenes of premiere curator FreeWee Ling and UWA SL Founder JayJay Zifanwe. The MachinimUWA IV: Art of the Artists rose the stakes for prize money and talent inside Second Life, and demonstrated the role of virtual creativity to those watching from the outside.
The MachinimUWA IV: Art of the Artists rose the stakes for prize money and talent inside Second Life, and demonstrated the role of virtual creativity to those watching from the outside. In the machinima awards, top honors went to Tutsy Navarathna’s Welcome to the Other Side (a tribute to Marshall McLuhan). Other winners included: Artwashers by Friday Siamendes (USA), Art of the Artists by Fuschia Nightfire (England), Qubit: Cognitive Distortion by spyVspy (Portugal) and Virtual Love by Iono Allen (France).
Other winners of various machinima categories included Hypatia Pickens (Yeah), L1aura Loire (Transformation Virtual Art on the Brink), Veruca Vandyke (Dual), and Cecil Hirvil (Citizen of the Universe), among others. The awards ceremony and special machinima screening was held at the BOSL-UWA Amphitheater last Sunday, December 11th.
Machinima, as an art form, is a powerful filmmaking and storytelling medium, and that is acknowledged through UWA’s special awards of various categories: Emotion (Hypatia Pickens’ Yeah), Breaking the Barriers (L1aura Lorire’s Transformation Virtual Art on the Brink), The Soul (Veruca Vandyke’s Dual), The Human Heart (Hypatia Picken’s Love Prayer), and a series of excellence awards for film direction, narration, investigation, description, and so forth. Such honors of excellence included Fuschia Nightfire, Hypatia Pickens, Oono Eiren & Sayzee Ishtari, Urban Steampunk, Iono Allen, SpyvSpy Aeon, Tutsy Navarethna, Braclo Eber, Glasz DeCuir, Cecil Hirvi, Miso Susanowa, Blue Oleader, Friday Siamendes, L1aura Loire, Nicolex Moonwall, Ormand Lionheart, Penumbra Carter, Spiral Silverstar, Haveit Neox, Ginger Alsop, JJCCC Coronet, Moana Littleboots, Sophia Yates, and others (in no specific order).
Some of those names are seasoned pros, but so many new filmmakers have found their way into Second Life. Much credit must be given to UWA, MaMachinima, Second Life Machinima Artist Guild, Pop Art Lab and other machinima friendly communities for fostering growth and allowing for exhibition. Hats off to all! It’s been a wonderful Second Life for the machinima world!
The UWA blog has links to the winning machinima (along with links and additional information about other categories, winners, and honorable mentions - http://uwainsl.blogspot.com.
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Forthcoming, Machinima: The Art & Practice of Virtual Filmmaking (McFarland, Fall/Winter 2011/2012) by Sonicity Fitzroy and Lowe Runo (Forward by Persia Bravin). The Professional Machinima Artist Guild graciously provides syndication of Sonicity’s blog Magnum: The Machinima Review to AviewTV.com
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